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ethereal art installation

Ethereal is a group exhibition organised by Volery Gallery and curated by Rom Levy the gallery's Founder and Senior Curator. "The experience feels intimate, personal and otherworldly. The emblems appear to be floating inside these rectangular frames or portals." This. At LaGuardia Airport's new Terminal B, artist Sarah Sze's spellbinding sculpture This Ethereal Installation is Transforming LaGuardia. WHAT STATES ALLOW ONLINE BETTING

To translate it from a drawn proposal into a structurally sound sculpture, Sze worked closely with longtime collaborators at Amuneal, the Philadelphia-based fabrication studio, devising an intricate system wherein small components appear woven, like twigs in a nest, creating the illusion of a floating sphere.

While there was no welding done on-site, elements were added and subtracted to make sure the void properly appears and disappears from view. That fragility extends to the photos, printed with polyester pigments onto aluminum panels that were laser-cut to resemble torn paper. Structurally speaking, she explains, the most complex part of the piece was the bottom, where rods were cantilevered to enclose the sphere.

The process was exhausting but also invigorating. Working from computer-scanned reproductions taken from various printed media, as well as from his own photographs, he considers the use of gesture, expression, and eroticism in artistic precedents and American advertising. Multilayered yet possessing a classical order, the resulting paintings marry the immediacy of collage with Romantic grandeur.

In Lips , two pairs of lips, swathes of silky brown hair, and a disembodied blue eye float among oversized corn niblets and streams of red-orange liquid, with a verdant South African vista in the background. And in Hair with Cheese , three short bobs in red, blonde, and purple are layered with forest brush, graphic snowflakes, and gooey, melting cheese. Koons highlights the hyperreal, exaggerated nature of images pulled from coupons and magazines in precise areas of color.

He pairs sprawling, perspectival landscapes with graphic curves and swells, every inch of the canvas bursting with detail. Cheerios and blonde braids spiral in a cavernous grotto; pedicured feet and donuts overwhelm an aerial view of Niagara Falls; and figures in lobster and octopus costumes pose within the metal armature of a rollercoaster, with syrup and butter melting over stacks of pancakes in the sky above.

The Easyfun-Ethereal series infuses art history with the vernacular charge of American life, drawing the viewer into awe-inspiring panoramas that are as edgy as they are sublime. As the title suggests, the black granite sculpture Woman Reclining depicts a female figure on a small divan, both legs raised over a planter filled with vivid blooming flowers.

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Sarah Sze, masked and on the job at LaGuardia during the installation of her sculpture this past May. Blown-out snapshots capture the blaze of high noon; gentle gradients reveal the soft glow of dawn and dusk; and gaps stand in for the darkness of night while creating an opening through which to observe the spectrum, which encloses a spherical void.

Taken as a whole, the sculpture distills time into a poetic brushstroke of sorts, one that will leave travelers in awe on their way to their gates and coming through arrivals. To translate it from a drawn proposal into a structurally sound sculpture, Sze worked closely with longtime collaborators at Amuneal, the Philadelphia-based fabrication studio, devising an intricate system wherein small components appear woven, like twigs in a nest, creating the illusion of a floating sphere.

While there was no welding done on-site, elements were added and subtracted to make sure the void properly appears and disappears from view. Distracted by digital screens and the pixelated pageantry flowing before our eyes, we grow increasingly oblivious to the IRL wonders blooming right outside our door.

Recently, Epson flipped that paradigm through Ecoterica, an immersive art installation, created by agency Second Story, that showcased the company's powerful projection systems while inviting visitors to reconnect with nature. Rendered in the abstract, once-familiar forms take on new dimension, prompting us to decode the shapes and, hopefully, ponder our place in Earth's complex, fragile ecology. The emblems appear to be floating inside these rectangular frames or portals. We could read the organic tapestry of life with the same ease we now read words on a page.

As our society becomes further enveloped by technology, and we grow ever-distant from the earth, this once familiar language has become esoteric, understood only by a remaining few. Can you identify the source material? In each case, you're viewing a fairly common plant or animal. The first two are fish, followed by a mantis, jellyfish and blooming orchid. If the forms seem elusive, even alien, that's the point.

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